Max Fleetwood
After buying the Wharp & Rom album I appear to be hooked. Made a direct donation to SOS Racismo in Lisbon to celebrate. Fuck fascism everywhere.
Favorite track: An Invitation To The Hall Of Horrors.
As a person afflicted with coulrophobia, I must say... job well done. Fantastic album.
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This is the only way Bandcamp would let me upload the other 'pages'/'panels' beyond the front cover. If you want one of these images on your wall (lol) or like a 'posterized' version of one of them, just contact me and I'll make that dream a reality. FOR FREE (disregard the price that bcamp MADE ME put in cuz capitalism etcetera etcetera)
Wow could it be? Yes—the soundtrack to our eternal night at the haunted museum of convenience built on fungible violence, a perpetual motion machine continuously running self-enrichiment fetish in a write-all program. Look! It's the pop-up gallery for art by cops—should we see if we can get tickets? Enjoy in the right setting. Abolish police and restaurants, perform new valuations, perform high liquid bailout of human life. Who is “we” anyway? An invitation to see and never cease to see, here behold ye the Maze and all its profoundly smooth frictionless corridors, first cynically envisioned and then later viciously executed by captains of death industries, and thereby efficiently facilitating a stinking, steaming, glimmering convenience built on death. A dance, a waltz, a trot—convenience, avoidance, ignorance. Or, express delivery of pop-up gallery cop art and upside-down guy fawkes masks, craft-beer ethno-state; set ablaze the maze. The only way is in—a better _something_ is possible.
Abolish police, prisons, restaurants, offices, yuppies, exclusionary private healthcare, white supremacist santacon marching permits, white dreads, managers, slave-owners, CEOs, bail bonds, condos and artisanal pop-up kiosks on stolen land, all condos and pop-up kiosks, all businesses on stolen land, internment camps, detention centers, the school-to-prison pipeline, white exceptionalist blackface pop muzak marketed to children, grant programs specializing in mediocre white artists and academics, lotteries, all flags, all borders, internship sweepstakes, and reality TV.
I'm releasing this incredible antifascist masterpiece album on this stupid garbage ass simulated violence white supremacist holiday because, this, like every other album I've made, is about the whitegeist and the raging gurgling sputtering capitalist machine—so duh, just exactly appropriate as always. It's best suited for soundtracking your own efforts towards abolition and resistance, for stoking joy and righteous anger against the fetid evils of subjugation, domination, and convenience-induced pacification. Orrrrrr, for any instance of joy, as long as it flows from celebrating life over property, you have my permission (if you need that kinda thing). I don't want anyone to have to pay anything for this but if you wanna "donate" that's great I'll just be redirecting your donation to whichever BLM chapter is local or closest to you. You can also burn a flag while listening and send me video documentation of this activity, any day of the year. XO CH
credits
released July 4, 2020
All songs written, arranged, sung, played, recorded, produced, mixed, designed, cultivated, and cast by CH Rom.
With blessed assistance from and contributions by
Ashley Giorgi
Bahbah Dotee
Data Von Klich
Dr. Roni
Dr. Bragg, Ph. T.’s Smile
Kaye L
LNWD
Mike Badillo
Sam OB
V. Kaye C-N
Recorded in NYC, 2017-2019, at Prosperitopia 409 and Mozart St. Studios. Mastered by Kaye Loggins. Extra special labor provided by Data Von Klich and Kaye Loggins.
All special thank yous, love, propaganda, and lyrics, can be found in the 'insert' panel included in your download, or to be viewed online at momradio.us
Leaning into the sparse, impressionistic sound of 2023's albu "Nature Morte," the Montreal metallurgists sound as heavy and radiant as ever. Bandcamp New & Notable Apr 21, 2024